| Dinner Is Served! |
[Jul. 16th, 2009|02:24 pm] |
I posted the work in progress pics of these new art prints here and here .
Each Print is a 4 colour screenprint , stamped and numbered.
We did something a lil' different and made each set in 2 sizes. The large ones are 32" x 20" and cost 75$ (USD) postpaid each , or 300$ for all 5.
Buy the large set::
The small ones are 5" x 8" are cost 15$ (USD) , postpaid each , or 50$ for all 5.
Buy the Small set:::
If you would like to purchase the prints individually , you can paypal us at info ((at)) seripop ((dot)) com with the numbers of the prints you want in the note.
Portrait no 1:

Portrait no 2:

Portrait no 3:

Portrait no 4:

Portrait no 5:

_______________________
We're flying to London tomorrow , so much to do!! |
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| oh hai! |
[Jul. 15th, 2009|02:17 pm] |
BRUCE SPRINGSTZINE 1: WEEKEND IN THE VOID takes place in Toronto, on Canzine weekend last October. I flew in from Vancouver, and had exactly 36 hours from touchdown to takeoff again. What follows is a detailed report on that day and a half of sleep deprivation, self-abuse and small pressery. Sometimes vague and deranged, sometimes lucidly hung over, this is an honest report, complete with hand written field notes, of what happens when a writer (Joey Comeau) and a publisher (myself) attempt to stay up for 36 hours, fueled mainly on energy drinks, little orange pills, and pharmaceutical grade tequila. ( Read more... ) |
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| (no subject) |
[Jul. 15th, 2009|01:21 pm] |
BRUCE SPRINGSTZINE 1: WEEKEND IN THE VOID takes place in Toronto, on Canzine weekend last October. I flew in from Vancouver, and had exactly 36 hours from touchdown to takeoff again. What follows is a detailed report on that day and a half of sleep deprivation, self-abuse and small pressery. Sometimes vague and deranged, sometimes lucidly hung over, this is an honest report, complete with hand written field notes, of what happens when a writer (Joey Comeau) and a publisher (myself) attempt to stay up for 36 hours, fueled mainly on energy drinks, little orange pills, and pharmaceutical grade tequila. ( Read more... ) |
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| Book List 2009, The First Six Months |
[Jul. 15th, 2009|12:34 pm] |
Now that the movie list is up, it's time for Book List! As with the movies, an asterisk is a book that I've re-read (though there aren't really any this time). This list took me a lot longer than usual, I've made my reviews a bit more thorough (or as thorough as one can be in a few sentences, anyway).
( begin here if you dare ) |
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| Poll: |
[Jul. 15th, 2009|06:36 am] |
| [ | Tags | | | random | ] |
| [ | Current Mood |
| | contemplative | ] |
| [ | Current Music |
| | CNN | ] |
So, I've been collecting airmiles for years, now finally (mostly thanks to the LCBO...) I have enough for some kinda cool stuff.
Which of the following is the best in your opinion:
Poll #1430107 Awesome Airmiles Poll:
Open to: All, detailed results viewable to: AllWhich Would You Want? |
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| Cyborgs and Architects 4 |
[Jul. 14th, 2009|01:45 pm] |

photo credit: slworking2
Impromptu guest post! I’m taking the liberty of reposting this comment about 3 by Jonah from still crapulent.
This cyborg-architecture tension relies on defining architecture as a discipline dealing only with static structures, however. I’m (clearly) not up on my architectural theory, speculative or otherwise, so I don’t know to what extent this definition has been problematized, but it seems to me to be deceptive.
Why must we restrict “architecture” only to stationary built environments? Why do we think of the camper van primarily as a vehicle, as opposed to a building? Are there other productive ways of thinking about architecture and mobility? It is certainly relevant to thinking about the architecture of temporary structures, or does it somehow cease to be a matter of architectural consideration when it becomes a collapsable, portable building?
On the flip side, walking houses, floating castles, fortresses on wheels (baba yaga’s chickenleg house, the castle in the sky, howl’s moving castle, etc.) abound in myth, fantasy and sci-fi, but what about modern cruise ships, themselves larger in size and occupancy than the majority of stationary buildings one encounters? Or a space station, which is necessarily mobile, or for that matter, any large (existing or projected) space cruiser? Vessel v. domicile? The Nostromo? The Death Star?
Obviously in -many- of these cases there is still the an imbalance in the issue of investment of effort/resources/capital at work, but it hardly applies across the board, or at least applies variably enough as to complicate the dichotomy being set up.
On a non-terrestrial, or further a non-resource-providing plane, need the homesteader not be nomadic?
Originally posted as a comment by stillcrapulent on Quiet Babylon using Disqus.
Quite right.
I still think there is still some room for me to make a parallel between the self-reliant cyborg and nomad v. the infrastructure reliant building-dweller and farmer. After all, most of Jonah’s examples are pretty fantastical. Sort of edge cases for the blurry line between self and environmental intervention.
But I can’t really have it both ways, can I? Not given that I spent 2 calling the extremely nomadic Apollo program an example of architectural thinking.
Originally published at Quiet Babylon. You can comment here or there. |
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| A Softer World missed you. |
[Jul. 13th, 2009|01:16 pm] |
http://www.asofterworld.com/index.php?id=460
Here is today's comic! And when you are done with that (and we hope you like it!) then here is an amazing story about daredevil dinosaurs who visit earth from mars, which is where they live since they escaped earth. I love this story.
"Why would a dinosaur need a gun?" asked the shop owner.
"Self-defense."
The owner's gaze dropped to the three-inch claw that had chipped his display case.
"These are killing claws," said the dinosaur, whose name was Tark. "For sheep, or cows. I merely want to disable an attacker with a precision shot to the leg or other uh, limbal region."
"Uh-huh," the owner said. "Or maybe you figure humans shoot each other all the time, but if someone turns up ripped in half the cops are gonna start lookin' for dinosaurs."
Tark carefully pounded the counter. "There used to be a time," he said, "when gun dealers would actually sell people guns! A time . . . called America. I miss that time."</a> |
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| (no subject) |
[Jul. 13th, 2009|08:57 am] |
I'm back from Montreal and totally have a kind of vacation hangover.. ugh what did I spend all my money on again? How did I eat so much? What am I doing now, I guess going to work..??
But really, I had a pretty great time! Sure, I didn't manage to be as thrifty as I wanted to, but at least I got to Montreal for free and I *tried* to eat some vaguely cheap meals.
The weather was crazy at times! Pounding rainstorms that come out of nowhere and then go away.. |
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| Fraternal Twins |
[Jul. 11th, 2009|11:26 am] |
| [ | Tags | | | 100 sidded die, bill nace, dreamcatcher, ect, eripop, friendship cove, gigposters, metalux, pink noise, screenprinting, the pines, wasted nymph, wet hair | ] |
| [ | Current Music |
| | karate party !!!!!!!!!!! | ] |
A few process shot from our 2 latest gigposters. We printed them 2 up. 7 colour screenprints.






Missing a few steps on the photos cause I got too tired..
Here's the final result:

This was last weekend and was super awesome. Bill Nace is my new guitar god!
And:

This is tonight and is gonna be the JAM.
SATURDAY JULY 11TH
WET HAIR (Iowa - ex-Raccoo-oo-oon)
THE PINK NOISE (Montreal - Sacred Bones / Almost Ready Records)
WASTED NYMPH (Montreal)
ECT (Halifax - ex-Be Bad/Gilbert Switzer)
@ Friendship Cove (215a Murray)
$5 - $10 - PAY WHAT YOU CAN
NOTE: This show was originally planned to feature DEAD LUKE (Madison, WI) but problems with obtaining a passport forced him to cancel appearances in Montreal and Toronto.
See you jammers @ the gig , these bands all rule! |
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| Behind The Scenes::::: Portraits Part 2: |
[Jul. 10th, 2009|12:02 pm] |
Some more *exciting* process shots of our new art print series coming together:::

Portrait no : 3:

I'm big , you're small:






Portrait no 4:



 Portrait no. 5::



Tests and discards about to be thrown in the dumpster::
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| A Softer World hates Mondays. |
[Jul. 10th, 2009|10:08 am] |
http://www.asofterworld.com/index.php?id=459
Friday comes once a week! I like Fridays. I like the fact that new movies open today. They're a gift, to start the weekend off. Movie opening night is like Christmas Eve, with its early gift because you're too excited to wait. And Friday night is the night before Halloween, too. Devil's Night. Friday Night is for burning things. For throwing yourself full-on into a mailbox, so that it falls over, with you on top of it. That's a crime, but it's a crime to have never tried it, either. Also, Friday night is the best night to read comic books. Other people are out burning the city down and vandalizing federal property, and you are just snuggled right inside with just about the silliest comic book ever. Actually every day is like Friday, I guess! I just like being alive. |
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| Cyborgs and Architects 3 |
[Jul. 10th, 2009|10:06 am] |

photo credit: estherase
As I conceive it, the conflict of cyborgs and architecture is the story of nomads and homesteaders, recast in very 21st century terms. Cyborgs are fundamentally mobile. They are individuals who can go anywhere and adapt easily. Architectural artifacts stay put. So to, the people who depend on and must maintain them.
There has been a deep distrust between these groups for as long as there has been agriculture, I imagine.
The morality story of the ants and the grasshopper is a lesson about the importance of an architectural kind of hard work. The ants, one of earth’s other infrastructural species, are cast as the hard-working foresightful protagonists. The grasshopper, failing to anticipate the future, dies in the snow.
Here are some alternate versions of the story: 1) When the winter comes, the grasshopper leaves for warmer climes, returning with the spring. 2) The grasshopper is actually a locust and a horde of them descends on the ant stores, stripping all the food before moving on to the next place. When winter comes, the ants starve in their empty corridors.
It’s Ranchers vs Indians, Romans vs Barbarians, Farmers vs Swarms, Europe vs Gypsies, Bees vs Bears, Ottomans vs Bedouins, Locals vs Tourists.
To built a home, to run a farm, this is a capitally intensive project. You invest an enormous amount of effort into moulding a stretch of territory to your particular plans. You have to wait quite some time between the sowing and the reaping. Ant-like patience and foresight are your watchwords.
To be a nomad requires a a different kind of watchword. You arrive at a patch of land, use it, and then leave it to regenerate. Foresight is the ability to know when to move, where to go, and when to come back.
Small wonder that sparks fly when there is an encounter between these approaches. Homesteaders don’t want the nomads exploiting all that investment in seeds, roads, sewers, policing. Nomads were planning to pass through and now there are fences, tunnels, and dudes with Tasers.
Originally published at Quiet Babylon. You can comment here or there. |
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| RIP CRT |
[Jul. 9th, 2009|08:56 pm] |
When I moved to Toronto I took a computer monitor with me, and it was an CRT that I'd already had for a few years already. This was this was the monitor I used when I applied to grad school and the monitor I used when starting Dinosaur Comics.
This monitor had served me well, but the past year or so it was clearly dying. The display would get fuzzy, and then snap back. Now I use three monitors and this was on the screen I used mainly for status stuff, so it was okay. I could still read the text when I needed to!
It was getting old though, and this morning I actually thought I was watching it finally die: the screen slowly faded to black, over the course of about 30 seconds, like a movie would fade to black over a particularly dramatic coda. These were my thoughts as I watched my windows fade away. Even the little green power light on the front of the monitor faded with everything else. My old monitor faded to black I watched it die. Goodbye, faithful hardware!
BUT THEN it faded back! You guys, it faded back just as it had faded out. It was a death-bed deke, and I was totally taken in. The monitor did this cycle a few more times, but I was wise to it now. I wasn't going to be taken in again. Eventually the monitor stopped fading out entirely, and we both got back to what we were working on before.
That was this morning. Just now, it faded to black and hasn't recovered. The power light has died with the screen too, but its switch is still in the "on" position. Okay, so just now I turned the power off and on again and the monitor recovered perfectly fine. MAN I GOT DEKED AGAIN.
Okay, so clearly this monitor is sick but doesn't want to die; it wants a peek at its obituary before it goes. Well here you go, monitor, I've moved this window over to you and I'm writing this on you and this is your obituary. If you do anything awesome after I post this I'll update it appropriately, but I think this is where our two paths diverge. You have been a good and faithful monitor and I will probably not forgot many of the things I saw through you.
You were a good monitor! |
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| Prints! |
[Jul. 8th, 2009|04:33 pm] |
We found some more of the old photos!
These prints are now available:
314 315 319 (which a lot of people emailed about!)
and
385
Just click "Buy this print" underneath, so we can have enough money to get our medicine. |
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| Cyborgs and Architects 2 |
[Jul. 8th, 2009|10:54 am] |

photo credit: KayVee.INC
In the 1960s NASA was still entertaining the idea that humans might actually go to space and, you know, stay. While they were designing and building rocket ships – little bubbles of earth to carry us up – they were pondering an alternative. Rocketships and moonbases are a fundamentally architectural approach to the problem of space travel. What if instead of making a human-friendly environment IN space, we adapted humans TO space? If you make the people more durable, you don’t need to build costly space craft, you don’t need to terraform planets and moons. You can stay as long as you want.
The cyborgs envisioned by NASA don’t look like the chrome gods and monsters of the 1980s. It’s the 1960s and the tools being investigated are plastics and drug regimens. Finding ways to make people breathe slower but think faster. Changing biochemistry to maximize efficiency throughout the organism. Forget food pills and DDT, this was true better living through chemistry.
Meanwhile, in the popular culture, super villains were busy building increasingly elaborate infrastructure to mirror their plans for world domination. Moon bases and volcano bases. Everything is very base-like. These are very cold-war fantasies. Very architectural. You will KNOW we were here because we will LEAVE MONUMENTS (and blow up yours).
Matt Jones points out (click on that link, you won’t be sorry) that this is changing. A lot of today’s villains get by without secret bases. They jump straight to blowing up our stuff without having the decency to build stuff of their own for us to hit.
Asymmetrical warfare is very cybernetic. Every guerrilla needs to be very mobile and adaptable. And what do they do when they strike? They blow up buildings and knock down monuments.
Sure, Al Qaeda has secret cave bases, but the bastards keep abandoning them. These are camp sites. The Nazis had official architecture.
Originally published at Quiet Babylon. You can comment here or there. |
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